The central structure is a chariot of twisted metal acting as hooks made of copper and patinated brass — hollow and open at the chest to trap the darkness. The figure’s posture is both reverent and tormented .
The spikes covering the chariot are there to hook centuries of institutional weight and denial.
Thus the Soul Catcher, who hunts down all the evil in churches, those who want pomp and finery, who fall to avarice and the gluttony of personal success.
Death is only the start of the agony.
It exposes how spiritual authority can become corrupted when its about power prestige and thrones.
Soul Catcher has a ton of demons ready to catch all the depraved unrepentant pedophile souls and bring them down to the chief demon for eternal processing.
I draw out the plan and then pierce it out from a 1 mm sheet of brass.
I make the sides out of cardboard first then brass, which is soldered together and bent into various forms. I prop the body up and work out the diameter of the wheels.
Making the spokes of a wheel is always a mission.
With this back one, I draw them out on a flat sheet of carving wax and pierce out the shape with a wax saw. After carving them into the shape I want, I sand cast them using the Delft sand casting technique.
For the front wheels I pierced the spokes out of 3 mm brass plate.
The axles come next. I sand cast some demon supports and fit them on the axles.
Staring with the soul flitter darts. I want them to be perched onto the rear struts like little dragonfly thingi's that buzz out and catch passing souls. The design is pierced out and prepared for plique-à-jour enameling. I turned the bodies out of brass and screwed them onto the wings. The tail got a stinger and the nose a claw. I melted a glass rod into two bobbles on each side of the head so it locks into place.